Sizes of the Works in the ELC
To assist in planning assignments, we have given a size indication to each work in the ELC. These designations are, of course, only approximations, since many of the works offer open-ended opportunities for playing with randomizing or algorithmic combinations. The designations reflect both the length of a work and the difficulties it offers for reading and comprehension. Following Rem Koolhaas, we have labeled the designations S (small), M (medium), L (large) and XL (extra-large). Small is about half an hour of reading/playing or less; Medium is one-half to one hours; Large is one-two hours; Extra-Large two hours plus. For thematically oriented assignments, the keyword list in the ELC provides useful groupings of works around a diverse collection of themes.
Short
- Jim Andrews, Nio
- Jim Andrews, On Lionel Kearns
- Ingrid Ankerson and Megan Sapner, Cruising
- babel vs. escha, Urbanalities
- Giselle Beiguelman, Code Movie 1
- Philippe Bootz and Marcel Frémiot, The Set of U
- J. R. Carpenter, The Cape
- John Cayley, Windsound
- Robert Kendall, Faith
- Deena Larsen, Carving in Possibilities
- Shawn Rider, myBALL
- Brian Kim Stefans, The Dreamlife of Letters
- Reinar Strasser and Alan Sondheim, Tao
- Dan Waber, Strings
- Dan Waber and Jason Pimble, I, You, We
Medium
- Jim Andrews, Stir Fry Texts
- Patrik-Heri Burgaud, Jean-Pierre Balpe ou les Lettres Dérangées
- John Cayley, Translation
- John Cayley, Wotclock
- M. D. Coverley, Accounts of the Glass Sky
- Sharif Ezzat, Like Stars in a Clear Night Sky
- Edward Falco, Chemical Landscapes Digital Tales
- Mary Flanagan, [The House]
- Geniwate, Generative Poetry
- Daniel C. Howe and Aya Karpinska, open-ended
- Kerry Lowrynovicz, Girls' Day Out
- Donna Leishman, Deviant: The Possession of Christian Shaw
- Donna Leishman, RedRidinghood
- Bill Marsh, Landscapes
- Maria Mencia, Birds Singing Other Birds' Songs
- Marko Niemi, Stud Poetry
- Millie Niss, OuLiPoems
- Kate Pullinger and babel, Inanimate Alice, Episode 1: China
- Reinar Strasser and M. D. Coverley, ii—in the white darkness: about [the fragility of] memory
- Reinar Strasser and Alan Sondeheim, Dawn
Large
- Geniwate, Rice
- Loss Pequeño Glazier, White-faced Bromeliads on 20 Hectares
- Kenneth Goldsmith, Soliloquy
- Jon Ingold, All Roads
- Shelley Jackson, My Body--A Wunderkammer
- Michael Joyce, Twelve Blue
- Talan Memmott, Self Portrait(s) [as Other(s)]
- Stuart Moulthrop, Regan Library
- Jason Nelson, Dreamaphage (Versions 1 and 2)
- Lance Olson and Tim Guthrie, 10:01
- William Poundstone, Project for Tachistoscope
- Melinda Rackham and Damien Everett, Carrier (becoming Symborg)
- Aaron A. Reed, Whom the Telling Changed
- Jim Rosenberg, Diagrams Series 6: 6.4 and 6.10
- Dan Shiovitz, Bad Machine
- Emily Short, Galatea
- Emily Short, Savoir-Faire
- Brian Kim Stefans, Star Wars, One Letter at a Time
- Noah Wardrip-Fruin, David Durand, Brion Moss, and Elaine Froehlich, Regime Change
- Rob Wittig, Fall of the Site of Marsha
- Nanette Wylde, Storyland
Extra-Large
- Richard Holeton, Frequently Asked Questions about “Hypertext”
- Talan Memmott, Lexia to Perplexia
- Judd Morissey, The Jew’s Daughter
- Alan Sondheim, Internet Text